Rockbund Art Museum, Shanghai and Para Site, Hong Kong are pleased to announce the opening of An Opera for Animals on June 22, 2019 at Rockbund Art Museum Shanghai. The exhibition runs through to August 25, 2019 and features 53 artists who challenge existing boundaries between art and other disciplines, including artisans, healers, teachers, researchers, filmmakers, choreographers, activists, and poets.
International Archives 1st half of 2019
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To "mine" is to extract elements of the earth’s physical materials—but it also describes data drawn from the landscape of information. The exhibition acts, in the words of the artist, as a "theme park to extraction," exploring not just the political and environmental significance of mining, but also the role of work and value throughout human history, and in the rapidly changing present. It includes a giant version of a classic Australian board game; an operating shop-
The final room features an assemblage of sculptures by a variety of artists selected by Mona: these depict humans at work, navigating a thorny relationship between technology, development, and human labour.
These ideas are brought to bear by the fate of the endangered King Island Brown Thornbill. You’ll see this bird through the use of the augmented reality that operates throughout the exhibition—technology that enhances, measures and complicates your experience in the gallery’s physical spaces. The Thornbill’s habitat has been damaged, perhaps irrevocably, by industry and climate change; but hope for the bird’s regeneration lies in gathering data about its habits and movements in the ecosphere. Such data gathering requires technology that itself relies on the continued extraction of elemental resources from the earth…
Here, the "canary in the coal mine" comes full circle: from the memories of people who took these creatures into the earth with them as they extracted, from the elements, the foundations of a technological apotheosis; to a metaphor, meaning something menacing is coming. And finally, in our gallery, a simulated experience with an endangered species, whose fate might be a sign not of our progress, but of our infinite regress.
Curated by Jarrod Rawlins and Emma Pike
With contributions from Kate Crawford and Vladen Joler, and additional artwork by Tony Albert, Sarah Contos, Fiona Hall, Ronnie van Hout, Sven ’t Jolle, Christopher Langton, Li Liao, Ramesh Mario Nithiyendran, David Noonan, Michael Parakowhai, Niki de Saint Phalle, Patricia Piccinini, Julie Rrap, Justene Williams, and Jason Wing.
Installation view of An Opera for Animals, 2019, Rockbund Art Museum. Courtesy of Rockbund Art Museum.