International exhibitions

International Archives 1st half of 2015


Carlos Garaicoa, The Politics and Poetics of Space

National Museum of Norway - Museum of Contemporary Art (Norway)

17.04 - 23.08.2015

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Carlos Garaicoa, The Politics and Poetics of Space, National Museum of Norway

E-Flux Press Release


Carlos Garaicoa – The Politics and Poetics of Space will be Carlos Garaicoa's first comprehensive solo exhibition in the Nordic countries and combines new works especially produced for the exhibition in the context of works dating back to the early 2000s.

Already early on in his career, Garaicoa explored the city and architecture as metaphors and indicators for the inner mechanisms of society. "Every day I walk through the city and feel its intensity," he has said. "For my work to progress, I need to experience that contradiction between the city's beauty and its terrible realities." There is a reverence for the urban fabric but at the same time a hesitation about the effect it may have on its inhabitants.

















Exhibition 17 April - 23 August 2015. National Museum of Norway - The Museum of Contemporary Art, Bankplassen 4 - 0151 Oslo (Norway). Hours: Tuesday–Friday 11–17h - Thursday 11–19h, Saturday–Sunday 12–17h.











 





 











© ArtCatalyse International / Marika Prévosto 2015. All Rights Reserved

Carlos Garaicoa, Entr'acte (après René Clair), 2014. Courtesy of the artist. Photo: Oak Taylor-Smith.

Carlos Garaicoa, Entr'acte (après René Clair), 2014. Courtesy of the artist. Photo: Oak Taylor-Smith.


Havana is a point of departure for much of his work and elucidates the artist's critical stance towards modernist architecture as a metaphor for the failure of the idea of modernism as a catalyst for social change and the subsequent disappointment in hopes and dreams of 20th-century utopias. The artist has also acknowledged a significant relationship between his work and literary models of the city, particularly the concept of city as a symbolic space to be found with authors like Jorge Luis Borges and Italo Calvino. It is precisely the combination of the poetical, analytical dimension of Garaicoa's work in dialogue with crucial political aspects he more frequently has been addressing in recent years which makes his œuvre relevant and powerful, not least against the backdrop of the effects of the global financial crisis of recent years.

Most of the works in the current exhibition relate to either the politics or the poetics of space, the inescapable dialectics and dichotomies of utopia and dystopia, the beauty of ruins and the disillusion of shattered ideals, the empowerment of the social body versus power structures manifested in sumptuous architecture and regulated public space, the fragile and transparent next to the hard and heavy, the poetry of the street versus the slogans of the palaces. In short; the abyss that may lurk behind the apparent order or the big ideals of a society.

Carlos Garaicoa is one of the most prominent Cuban artists in the international art scene. His work, which comprises of installation, drawing, video, photography and sculpture, has been shown at the Biennials of Venice, Sao Paulo and Havana as well as at documenta. Amongst others, he has had solo exhibitions at MoCA, Los Angeles; the ICA in Philadelphia; the Royal Ontario Museum and the Irish Museum of Modern Art, and his work can be found in private collections and museums throughout the world.


The exhibition of Carlos Garaicoa at the National Museum's Museum of Contemporary Art in Oslo is part of a series of exhibitions with international artists such as Tacita Dean, Runa Islam, Allora & Calzadilla, Nicolas Hlobo and Fiona Tan and comes at a time when the urban fabric of Norway's capital and other cities in the country are undergoing rapid change, with massive remodelling, restructuring and expansion.

The exhibition is a collaboration of the National Museum, Oslo; Centro de Arte 2 Mayo, Madrid and Villa Stuck in Munich, supported by AC/E.


Exhibition curators: Sabrina van der Ley and Agustín Pérez Rubio