Archives 2nd half of 2013
© ArtCatalyse International / Marika Prévosto 2013. All Rights Reserved
NOMA at the CAC is proud to present Edward Burtynsky: Water, the world premiere of the latest body of work by internationally renowned photographer Edward Burtynsky. This second initiative of the ongoing NOMA at the CAC programming partnership includes over 60 large-
Exhibition October 5, 2013 -
Edward Burtynsky, Stepwell #4, Sagar Kund Baori, Bundi, Rajasthan, India, 2010. Photograph. Courtesy Nicholas Metivier Gallery, Toronto/ Howard Greenberg Gallery and Bryce Wolkowitz Gallery, New York. © Edward Burtynsky.
Edward Burtynsky (b. 1955; St. Catharines, Ontario, Canada) has long been recognized for his ability to combine vast and serious subject matter with a rigorous, formal approach to picture making. The results are images that are part abstraction, part architecture, and part raw data. In producing Water, Burtynsky has worked across the globe—from the Gulf of Mexico to the shores of the Ganges—weaving together an ambitious representation of water's increasingly fragmented lifecycle.
"The CAC is thrilled to be able to premiere an exhibition of this scale and quality through our partnership with NOMA," said Neil Barclay, Executive Director of the Contemporary Arts Center. "Burtynsky's work has long served as a commentary on the relationship between art and environment, and I believe the subject of these works will be of keen interest to anyone who has experienced life in New Orleans over the past decade."
"Five years in the making, Water is at once Burtynsky's most detailed and expansive project to date, with images of the 2010 Gulf oil spill, step wells in India, dam construction in China, aquaculture, farming, and pivot irrigation systems," said Susan M. Taylor, Director of the New Orleans Museum of Art. In addition, Water includes some of the first pure landscapes that Burtynsky has made since the early 1980s. These archaic, almost primordial looking images of British Columbia place the structures of water control in a historical context—tracing the story of water from the ancient to the modern, and back again.
While the story of water is certainly an ecological one, Burtynsky is more interested in presenting the facts on the ground than in declaring society's motives good or bad. In focusing on all the facets of people's relationship with water, including ritual and leisure, Burtynsky offers evidence without an argument.
"Burtynsky's work functions as an open ended question about humanity's past, present, and future," said Russell Lord, Freeman Family Curator of Photographs at the New Orleans Museum of Art. "The big question is: do these pictures represent the achievement of humanity or one of its greatest faults, or both? Each visitor might find a different answer in this exhibition, depending upon what they bring to it."
The exhibition, organized by Russell Lord, is accompanied by a catalogue published by Steidl with over 100 color plates from Burtynsky's water series. It includes essays by Lord and Wade Davis, renowned anthropologist and Explorer-
Take a look also to the page of the concurrent exhibition of Edward Burtynsky at Rena Bransten Gallery (San Francisco) with a convaincant photo gallery