The exhibition presents recent works by Rafael Yossef Herman known for creating his work with the hidden existence of the night’s darkness. By observing this large scale photographic installation, the Israel-
International Archives 1st half of 2018
Exhibition February 16 -
Müpa Budapest Komor Marcell u. 1 -
© ArtCatalyse International / Marika Prévosto 2018. All Rights Reserved
The new works chosen for this exhibition at the Ludwig Museum from Herman’s series "The Night Illuminates The Night" (2010–), mainly show pathways or clearings in forests and open fields with flowers. As we walk through the differently lit rooms, there is a confrontation between the forest images placed in an intensely dark environment with those capturing flower fields and large spring-
Herman examines the limits of surreality and timeless reality in these works that encapsulate imperceivable or imaginary realities. In a sense, he is researching virtuality. Virtual realities, games, and simulations that are so influential to the present allow us to seek into areas unknown to the human eye. The night landscapes shot by Herman do not exist for our eyes. These strange lights of the night normally can only be perceived by technology. Compared to the experience of the real daylight, we perceive odd shadows, moonlight features, colour spectrum and shimmering details that differ from sunlight. Herman creates a new reality out of the mystery of the night. He highlights the fact that although the night landscape is close to us, its details cannot be observed. These landscapes do not exist for the human eye, they are insights into another reality.
About Rafael Y. Herman
Rafael Y. Herman was born in 1974 in Be’er Sheva, Israel. The winner of the Prague Photosphere Award in 2015, Herman began studying classical music at the age of six, becoming a percussionist in Philharmonic orchestras, ensembles and rock bands. Following a long stay in New York City, he studied at the School of Economics and Management at the University of Tel Aviv. Graduating in 2000, he moved to Latin America, taking a long research trip in seven countries: photographing Cuban musicians, the Carnival of Bahia and the Zapatistas in Mexico, working with Amnesty International in Paraguay, then studying painting in Mexico City and Chile and joining an artists’ commune. This visual apprenticeship combines vision, metropolitan experience and encounters with uncontaminated nature. In 2003, Herman moved to Milan, showing the project Bereshit-
MAXXI national museum, Italy. Herman’s recent solo exhibition in the magnificent Testaccio pavilion of the MACRO museum in Rome claimed great international attention and marked the artist’s largest exhibition prior to the Ludwig Museum solo Exhibition in Budapest. Rafael Y. Herman is an invited artist of Ville de Paris at La Cité Internationale des Arts and currently works and lives in Paris.
The exhibition will be accompanied by a catalogue.